In this chapter we get some big implications about the real identity of Pluton, as well as a lot more information, sánh let’s break it down!
We begin the chapter during the festival, where we can see Nami celebrating the festival alongside Tama and Zeus.
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We however quickly shift back to tát the fight against Aramaki, where Raizo unleashes an attack called Ninpo Maki Maki no Justu: Katon. In case you didn’t know, it was confirmed in the Vivre Cards that Raizo actually has a devil fruit called the Maki Maki no Mi, or Scroll Scroll Fruit, which allows him to tát use scrolls that can absorb and release things, which is how he was able to tát unleash Zunesha’s water at the kết thúc of Onigashima. In this case, he unleashes a bunch of fire in an attack called “Fire Release”. However, Aramaki responds with move called “boukarin”, which means “Forest Fire Prevention”, or in other words the act of putting out a forest fire. He then follows up by draining Raizo just lượt thích he did with King and Queen, in a move similar to tát Crocodile’s, by absorbing the moisture out of him lượt thích a plant would absorb water from the ground. After all, we humans are made of mostly water. The Scabbards continue to tát try fighting back, with Nekomamushi complaining that they have to tát quite literally “mow the lawn” to tát get to tát him.
We then shift back to tát Sukiyaki’s cell, where beyond the poneglyph in the castle there is another underground passage that leads even deeper down the country. Robin climbs up a passage to tát get a better view of what lies beneath Wano, but Law simply teleports there, making Robin feel annoyed she had to tát climb up to tát get a view. What lies beyond there however, is a Wano Country lying under the sea. Sukiyaki explains how this is the original Wano Country, which stood at sea level many years ago. However, after the building of the walls of the Wano Country, rainwater accumulated and ended up submerging the old Wano.
This properly explains a certain detail that was dropped at the very beginning of this saga, when Sanji mentioned that the water coming out of the Wano Country was freshwater that the giant koi known as the yumegoi, or “dream koi”, were able to tát swim in. Since the water was accumulated through rain, it makes sense why it’s freshwater and in fact we can even see more of those giant yumegoi swimming around in this panel. Robin also explains how this is freshwater by the fact that the buildings are really well maintained, as saltwater corrodes buildings at ten times the tốc độ that freshwater does, sánh it’d be harder for wooden buildings lượt thích these to tát have remained intact if they were in the sea.
However, there’s something that doesn’t quite add up here. As we are shown visually, Wano originally existed at the base of Mt. Fuji. As the island got flooded with the newly built walls, the settlements were moved up closer to tát the peak, but here’s the weird thing. How could they have built around what looks lượt thích a very vertical mountain? After all, in this diagram, we see how a bunch of extra land was built around the side of the mountain to tát host all the new settlements. But how could that even be possible? We’re talking about a massive amount of land, entire islands even, being moved up a massive distance that no real human could ever realistically shift. And how exactly were these massive walls erected? So how exactly did this happen?
Well, if you really start thinking about it and take a look at a map of Wano, suddenly the answer becomes very obvious. Wano isn’t really a single island, it’s a collection of smaller islands stitched together. Each of them has their own seasons and weather conditions, as islands in the Grand Line are categorized into different seasons just lượt thích Vivi explained, meaning that it’s quite likely that each of these islands came from somewhere else in the Grand Line and were stitched together atop the land of Wano. But then who could’ve pulled this off? After all, lượt thích I said, it’s not something a normal human could’ve done. Well, who else but the country puller himself, Oars.
The legend of Oars goes a bit lượt thích this: over 650 years ago, the Ancient Giant Oars was born. Ancient Giants are known to tát be far taller kêu ca normal giants and with more demonic-like features such as horns and jaws. Now this stretch of time is already particularly fitting, since it’s only around a century after the kết thúc of the Void Century, meaning it wasn’t long after Wano closed its borders.
During this time, Oars would go on to tát fight and conquer countries, and after his victories he would take as prize not just their valuables, but the entire island he had conquered, taking them back trang chủ to tát his territory. This earned him the title that is often mistranslated as “continent puller”, but is more accurately translated to tát the “country puller legend”, as after all the only continent in the One Piece world is the Red Line, where as Oars simply pulled entire countries back with him. So terrifying was he that people began to tát điện thoại tư vấn him the “devil” himself. Oars would conjoin all these islands that he stole to tát sườn a “country of ruffians”. Sounds familiar? Because that’s pretty much the definition of the Wano Country. A phối of islands taken from different places with different climates all conjoined together to tát make a new country around an area where there was no land.
So does that mean that Oars was the one who created the Wano Country? Potentially yes. Oars died when he wandered into the Ice Country 500 years ago and ended up dying to tát frostbite. Though no person was able to tát defeat him at the time, it was ultimately nature that ended up taking his life at age 159, which for an Ancient Giant is actually fairly young. This means that perhaps Oars might’ve taken over the Wano Country for a while to tát make it his territory, given how impregnable it is, but after his death his rule dissolved and the power was restored to tát the Kouzuki Clan.
Alternatively however, there is also another possibility. That the real “country puller” was in fact the skull at Onigashima. All things considered, while Oars is tall, he is only about 67m tall. While he is strong, it’s hard to tát see him pulling islands the size of something lượt thích Kuri. On the other hand, the skull at Onigashima is truly enormous, far more kêu ca Oars’s entire size, and given the size comparisons we’ve seen with Wano, it’s not unrealistic to tát imagine an ancient giant of that size actually being able to tát carry islands of that size. So it’s possible that maybe Oars had his territory in another area of the sea while another ancient giant created a territory in Wano in much the same way. Or potentially, Hogback was simply wrong about the legend of the “country puller” being about Oars when in reality it was about another ancient giant. Or even simpler, it really is just Oars and the skull at Onigashima was simply sculpted as decoration. Ultimately it doesn’t really matter much which answer it really is because all that matters is that this is likely how the Wano Country of today came to tát be, with a country puller taking islands from across the Grand Line to tát sườn the Wano that we know today.
Moving on however, we finally arrive at the Road Poneglyph. As Robin points out, this is our third out of four, meaning we need just one more to tát get to tát Laugh Tale. Said fourth one was found at Fishman Island by the Sea Forest, but has since disappeared, sánh we don’t really know where it is now. I tự find it curious how the Roger Pirates were able to tát get their hands on this Road Poneglyph without really coming across Orochi, but we know that Oden himself never disembarked in the Wano Country sánh it’s possible they simply managed to tát find a way through or sneak in to tát grab the poneglyph, as Oden knew the location.
However the far bigger shock here comes in the sườn of Sukiyaki mentioning how just beneath this shrine is where the Ancient Weapon Pluton sleeps. Sukiyaki explains that removing the walls of the Wano Country would be the equivalent of unleashing the ancient weapon Pluton onto the world. However, Sukiyaki doesn’t understand why Oden would want to tát thus open the country by the time Joy Boy arrived if that would unleash the weapon, indicating that something that Oden learned overseas convinced him that the weapon would have to tát be unleashed.
So what exactly is the ancient weapon Pluton? And why would Oden want to tát unleash this weapon on the world? Well, we don’t really need to tát ask ourselves much, because we might very well already have the answers. Because I think at this point it’s pretty much becoming apparent that Pluton is Momonosuke.
Now now, I know what you’re gonna say, but Artur isn’t Pluton a ship? Didn’t Iceburg say that Pluton was a ship built in Water 7? Is Momonosuke actually a ship???
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Okay okay, listen bủ out for a second and let bủ explain, because it’s all going to tát make sense. Let’s put aside the fact that Pluton should be a ship and that it’s hidden beneath Wano to tát explore the fact that Momonosuke is pretty much identical to tát Poseidon.
We know that Poseidon is an ancient weapon in the sườn of a mermaid who can order around the sea kings. The sea kings view the mermaid princess who has inherited the authority of Poseidon as their king, for which they follow all of her orders. This is done through the voice of all things, and while other people such as Luffy can hear the Sea Kings, they will only obey the orders of their king.
This is very much the same with Momonosuke. Zunesha is another colossal behemoth who despite its animalistic appearance is very much capable of speech and human intelligence. Other users of the voice of all things can listen to tát Zunesha, but are unable to tát command it, the only one capable of doing sánh being Momonosuke. Just lượt thích the sea kings, Zunesha obeys Momonosuke’s orders without question. In fact these orders are sánh imperative that Zunesha straight up cannot act on its own without them, as the previous holder of Momonosuke’s power almost a millennia ago during the Void Century gave Zunesha the order to tát walk for the next centuries because of the “crime” it committed.
This is very similar again to tát the Sea Kings, who stand watch at both the calm belts and Fishman Island, attacking any ships that come by but never harming the island itself or the fishmen on it, a fact that has been very visibly pointed out, despite the island being filled with plenty of people just lượt thích the ships they normally attack. Again, this is likely due to tát the previous holder of the power of Poseidon asking the sea kings to tát protect Fishman Island, the fishfolk, and its Road Poneglyph from the World Government, just lượt thích Zunesha protects the Mokomo Dukedom, the minks, and its Road Poneglyph. Even more important is the fact that both Fishman Island and the Wano Country, and also the Mokomo Dukedom, were all allies of the Great Kingdom and by extension likely Joy Boy himself, with Shirahoshi and Momonosuke both being part of the royal bloodline of these allies.
But it goes a lot further kêu ca that. Because as Otohime explained legend says that one day someone, a new Joy Boy, would appear and guide Shirahoshi to tát bring a change to tát the world for good. In the hands of evil, an ancient weapon could sink the world into darkness, but in the hands of a new Joy Boy, they could help bring the Dawn of the World. So this means that the ancient weapons, despite being weapons, are likely what is needed to tát bring the Dawn of the World, which is also likely why the Government tried to tát hide their existence for sánh long. And as you might remember, Yamato made a specific comment about how Momonosuke has to tát live at all costs, as he is one of those who will help bring the Dawn of the World. This already would indicate that Momonosuke is an ancient weapon, but Yamato goes even further and in a later chapter confirms that Momonosuke’s ability to tát speak with Zunesha is THE reason why he will be able to tát bring the Dawn of the World. In other words, Momo’s control over Zunesha, just lượt thích Shirahoshi’s control over the Sea Kings is what will bring the Dawn of the World, which practically but confirms that Momonosuke is the same as Shirahoshi… an ancient weapon. But then, how does this tie with Pluton? Well, it ties very easily, actually. If you remember from just a few chapters ago, Momonosuke told Zunesha to tát not open the borders of the Wano Country yet, and Zunesha decided to tát respect this choice.
This dialogue indicates that Zunesha is the one that is needed to tát open the borders of the Wano Country, which is likely why it showed up there in the first place. Which makes sense because Zunesha is simply colossal and we’ve seen the sheer power of that size, sánh Zunesha is likely the only thing that could realistically bring down those massive walls of rock, quite literally opening the country. This would give an answer as to tát where Zunesha has been walking all this time, to tát get to tát the Wano Country in order to tát release one of the weapons. And this could even potentially explain what Zunesha’s crime really was: what if Zunesha refused during the Void Century to tát unleash the ancient weapon in fears it could hurt people, and because of that the Dawn of the World could not be brought and the opportunity was missed. So Zunesha was ordered to tát walk for centuries until it could reach Wano again to tát unleash Pluton again. I’m just speculating here as a couple things don’t add up, but it could be something among those lines.
And that kinda explains everything. If the ancient weapon is hidden beneath Wano, then that means that Momonosuke is the only one who can unleash it upon the world. In that way, Momo may very well be the key to tát unleashing an ancient weapon, which makes him an equivalent to tát Shirahoshi. Keep in mind, while Shirahoshi is Poseidon, the actual weapon part is the sea kings, something completely separate. Similarly, Momo himself isn’t a ship or a weapon himself, but he is the only one capable of unleashing it upon the world. So just lượt thích Shirahoshi, more kêu ca being the weapon itself, Momo acts as the key that unleashes that weapon upon the world.
And that also explains why Oden wanted to tát open the borders of the Wano Country to tát unleash the weapon. If Pluton is released, it will bring the Dawn of the World, which is Joy Boy’s ultimate objective, sánh by the time that Joy Boy would reach the Wano Country, the borders would need to tát be opened sánh that he can guide Pluton, or Momonosuke, to tát unleash the weapon onto the world. And Luffy has indeed guided Momonosuke very well, but Momo understood wisely that the time to tát release the weapon isn’t here quite yet, as the final war hasn’t yet begun, sánh he wants to tát wait just a little further before exposing the Wano Country and unleashing the weapon, though that day is clearly not far.
As for the weapon itself, then is it a ship? Quite likely yes, it’s possible that it’s a massive warship hidden beneath Wano. As for how could such a destructive weapon bring a new era and a new Dawn is hard to tát say, as we don’t have any official answers. However, if we start theorizing, then that can easily lead us into the famous theory of destroying the Red Line and the Grand Line to tát sườn the All Blue and connect all the seas and their people together. By commanding the sea kings, Shirahoshi can remove them from the Calm Belts and perhaps even help change the currents of the Grand Line, making it accessible to tát anyone without being forced to tát enter from Reverse Mountain. At the same time, the ship could be used to tát destroy the Red Line. After all, it was said that Pluton was a weapon capable of wiping an island in one blast, and since the Red Line is after all a fusion of several different islands as Nami once explained, then Pluton could use a barrage of fire to tát bring it down, using ancient technology that has been lost to tát time.
But I think it’s important to tát also accept the possibility that Pluton maybe isn’t a ship in the traditional sense. After all, it’s now proven that Crocodile was completely wrong about Pluton being in Alabasta, sánh it’s possible that Iceburg saying Pluton was a ship could also be a mistake. After all, he was basing that knowledge on the blueprints that Tom left behind, but we know through Franky that those blueprints were left behind to tát create a counterweapon should any of the ancient weapons be phối không tính phí by someone evil, just lượt thích Otohime feared could happen, sánh while they are presumably the blueprints of the original Pluton, it’s also entirely possible that some facts were lost to tát history and that the truth is slightly different. Essentially, while Pluton is likely to tát be a ship hidden beneath Wano, I’m just saying to tát be open minded enough that some of the historical details might be slightly different from what came at the present. But regardless, one thing is clear: though it’s not obviously official, it feels lượt thích it’s becoming apparently clearer that Momonosuke is the only one that can unleash this weapon upon the world, for which his continued survival is essential for the Dawn of the World to tát arrive one day.
Anyway whew, that was a lot to tát go through, sánh let’s switch back to tát our battle against Aramaki, where we get another great moment of character development from Momonosuke as he wishes to tát be a model shogun and be able to tát protect the country by himself and his people, which is fitting since we were just talking about Pluton, just lượt thích he vowed he would tự for sánh long. He manages to tát finally unleash a Bolo Breath, as naturally he has all the elemental powers that Kaido would have, since his fruit is a perfect clone of Kaido’s, once again proving that Vegapunk’s cloning experiment really was a perfect success. Aramaki however manages to tát regenerate through a sprout, since he is a Logia after all. He prepares to tát strike back but he is suddenly caught in a wave of Conqueror’s haki from far away.
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This turns out to tát of course be Shanks, who is standing at the borders of the Wano Country. Now, it makes sense that he could tell Ryokugyu was there through really good Observation haki, but did Aramaki also sense him through observation or did the haki somehow let him understand it? After all, there is this bubble that crosses through the screen when he realizes, sánh was Shanks somehow able to tát make his voice be heard or was his haki just that recognizable? After all, in the following page Luffy recognizes that haki as well, mentioning how he just felt a nostalgic face from that haki as he begins to tát blush, meaning that he could tell who that haki was. Is Shanks able to tát make his presence felt sánh much that people can recognize his haki?
Anyway, as he emanates his haki, Shanks begins to tát recall all the children that he has helped raise. There’s of course Luffy, right after he cut himself under his eye in Chapter 1 (featuring Yasopp in the background too), as well as Momonosuke and Hiyori from his time in Roger’s crew. Furthermore there is a fourth figure shrouded in silhouette, but its distinct shape makes it very apparent this is Uta, Shanks’s daughter from One Piece Film RED. This not only exists to tát hint at the important of the movie, but outright means that Uta herself is canon, being the first character outside of Shiki (and his crew) from a movie to tát become canon, as all the other ones lượt thích Zephyr, Tesoro, or Bullet currently aren’t. Shanks asks the Government if they are sánh scared of the coming “New Era”, which is relevant because it both references the new era that will be brought by the Dawn of the World, but is also the title of the main tuy vậy of Film RED, “Shin Jidai”, or “New Era”. In this tuy vậy Uta speaks of an era that is to tát come which will change the world, one that will be achieved by delivering never-ending music in the sườn of a tale.
Sound familiar? Yes, One Piece Film RED will no doubt be giving us a lot of really juicy information regarding the kết thúc of the series and the film is basically around the corner, as it’s coming out next week! I’ll be there on premiere day to tát watch the movie sánh I’ll let you know all you need to tát know about it! We are finally almost there as a New Era finally begins!